Saturday, March 1, 2008

Glossary Of Terms (S - Z) - CCTV

S/N RATIO
Signal-to-Noise ratio is calculated with the logarithm of the normal signal and the noise RMS value.

SCENE ILLUMINATION
The average light level incident upon a protected area. Normally measured for the visible spectrum with a light meter having a spectral response corresponding closely to that of the human eye and is quoted in lux. Scotopic Vision levels are illumination levels below 10-2 lux, thus invisible to the human eye. Silicon. The raw material of which modern semiconductor devices are made.

SIMPLEX
In general, it refers to a communications system that can transmit information in one direction only. In CCTV, simplex is used to describe a method of multiplexer operation where only one function can be performed at a time, eg. either recording or playback individually.

SKIN EFFECT
The tendency of alternating current to travel only on the surface of a conductor as its frequency increases.

SLOW SCAN
The transmission of a series of frozen images by means of analog or digital signals over limited bandwidth media, usually telephone.

SMEAR
An unwanted side effect of vertical charge transfer in a CCD chip. It shows vertical bright stripes in places of the image where there are very bright areas. In better cameras smear is minimised to almost undetectable levels.

SMPTE
Society of Motion Picture and Television Engineers. Spectrum analyser. An electronic device that can
show the spectrum of an electric signal.

SPECTRUM
In Electromagnetics, spectrum refers to the description of a signals amplitude versus its frequency components. In optics, spectrum refers to the light frequencies composing the "white light" which can be seen as rainbow colours.

SPG
Stands for Sync Pulse Generator. A source of synchronisation pulses.

SPLIT SCREEN UNIT
(Quad compressor). Equipment which simultaneously displays parts or more than one image on a single monitor. It usually refers to four quadrants display.

S-VHS
Super VHS format of video recording. A newer standard proposed by JVC, preserving the downward compatibility with the VHS format. It offers much better horizontal resolution up to 400 TV lines. This is mainly due to the colour separation techniques, high quality video heads and better tapes. Sync. This is short from synchronisation pulse.

TBC
Time Base Correction. Refers to the synchronisation of various signals inside a device such as a multiplexer or a TBC Corrector.

TDG
Short for time and date generator.

TELEMETRY
Remote controlling system of, usually, digital encoded data, intended to control pan, tilt, zoom, focus, preset positions, wash, wipe and similar. Being digital, it is usually sent via twisted pair cable, or coaxial cable together with the video signal.

TERMINATION
This usually refers to the physical act of terminating a cable with a special connector, which for coaxial cable is, usually, BNC. For fibre optic cable this is the ST connector. It can also refer to the impedance matching when electrical transmission is in use. This is especially important for high frequency signals, such as the video signal, where the characteristic impedance is accepted to be 75 Ohms.

TIME LAPSE VCR
(TL VCR). A video recorder, most often in VHS format, that can prolong the video recording on a single tape up to 960 hours (this refers to a 180 min tape). This type of VCRs are very often used in CCTV systems. The principle of operation is very simple - instead of having the video tape travel at a constant speed of 2.275 cm/s (which is the case with the domestic models of VHS VCRs), it moves with discrete steps which can be controlled. Time Lapse VCRs have a number of other special functions very useful in CCTV, such as external alarm trigger, time and date superimposed on the video signal, alarm search and so on.

TIME LAPSE VIDEO RECORDING
The intermittent recording of video signals at intervals to extend the recording time of the recording medium. It is usually measured in reference to a 3 hr (180 min) tape.

TIME MULTIPLEXING
The technique of recording several cameras onto, usually, one time lapse VCR by sequentially sending camera pictures with a timed interval delay to match the time lapse mode selected on the recorder.

UHF SIGNAL
Ultra high frequency signal. In television it is defined to belong in the radio spectrum between 470 MHz and 850 MHz. Unbalanced signal. In CCTV, this refers to a type of video signal transmission through a coaxial cable. It is called unbalanced because the signal travels through the centre core only, while the cable shield is used for equating the two voltage potentials between the coaxial cable ends.

UPS
Uninterruptible power supply. These are power supplies used in the majority of high security systems, whose purpose is to back-up the system for at least 10 minutes without mains power. The duration of this depends on the size of the UPS, usually expressed in VA, and the current consumption of the system itself.

VDA
Video Distribution Amplifier. A device that provides multiple outputs from one video signal such that interference to one output will not affect others.

VERTICAL SHIFT REGISTER
The mechanism in CCD technology whereby charge is read out from the photo sensors of an Interline Transfer or Frame Interline Transfer sensor.

VHF
Stands for Very High Frequency. A signal encompassing frequencies between 30 and 300 MHz. In television, VHF Band I uses frequencies between 45 MHz and 67 MHz, and between 180 MHz and 215 MHz for Band III. Band II is reserved for FM radio from 88 MHz to 108 MHz.

VHS
Stands for Video Home System, as proposed by JVC, a video recording format that is most often used in homes, but also in CCTV. It has its own limitations due to the concept itself, the speed of recording, the magnetic tapes used and the colour separation technique. Most of the CCTV equipment today supersedes VHS resolution.

VIDEO EQUALISATION CORRECTOR
(Video Equaliser). A device which corrects for unequal frequency losses and/or phase errors in the transmission of a video signal. Video frame store. A device which enables digital storage of one or more images for steady display on a video monitor.

VIDEO IN-LINE AMPLIFIER
A device providing amplification of a video signal.

VIDEO MATRIX SWITCHER
(VMS). A device for switching more than one camera, VCR, video printer and similar, to more than one monitor, VCR, video printer and similar. Much more complex and more powerful than video switchers.

VIDEO MONITOR
A device for converting a video signal into an image.

VIDEO MONITOR
A device for converting a video signal into an image.

VIDEO PRINTER
A device for converting a video signal to a hard copy printout. It could be a monochrome (B/W) or colour. They come in different format sizes. Special paper is needed.

VIDEO SIGNAL
An electrical signal containing all of the elements of the image produced by a camera or any other source of video information.

VIDEO SWITCHER
A device for switching more than one camera to one or more monitors manually, automatically or upon receipt of an alarm condition.

VITS
Video Insertion Test Signals. Special shaped electronic signals inserted in the "invisible" lines (in the case of PAL, lines 17, 18, 330 and 331) that are used to determine the quality of reception.

VLF
Very Low Frequency. Refers to the frequencies in the band between 10 and 30 kHz.

Instrom Limited is an independent security consultancy set-up in 1998 to provide a range of impartial security consultancy services to commerce, industry and the public sector. http://www.instrom.com.

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MP3 Players: How It All Began

You have probably seen some old movies where some unruly teenager carried on his shoulders one the first "portable" audio playersa blaring cassette-tape-playing two-speaker monster (if you're old enough, you may even have done this yourself). What can the desire of people to take their music with them do!

But the first truly portable audio player was the cassette-tape based Sony Walkman. That was extremely revolutionary in its time. This small plastic box (well, today it doesnt seem to be very small any longer) with earphones brought on the dawn of the portable audio player and sparked a legion of imitators. The subsequent introduction of audio CDs and CD-based walkmans marked the start of the digital music age.

A relatively recent revolution in this area was the introduction of Apples portable music player, the iPod. Although portable mp3 players existed before it (the first mass market mp3 player, the Rio PMP300, was introduced in 1998), the iPods unique design, its user-friendliness, and Apples very good reputation for its sense of aesthetics created immense interest in the product. Soon iPod was catapulted to its current ubiquity. More than 7 out of 10 mp3 player owners today have an iPod.

Portable mp3 players today are a must-have in the everyone-else-has-them-so-I-should-have-one-too sense. Although they are indeed undoubtedly very handy. Especially among the younger half of the population, jumping aboard the portable music bandwagon is a way of staying cool and keeping up with the times.

MP3 format has been chosen as the most widespread. Songs of that format can be supported not only by iPods but by the majority of devices. You can enjoy MP3 music while walking, driving, cooking, or listening to your dull lectures.

The primary source of music in mp3 players today is still audio CDs, as it is now very easy to create mp3s from them (using Total Audio Converters rip CD option). The widespread availability of internet access, with the ability to download plenty of music (legally and illegally) is also a crucial factor in the spread of portable music players. Though there is the reverse of the medal. The songs in the web are of dozens different audio formats. What to do with some FLAC or APE song?

The solution is quite simple. Get some audio encoding/decoding tool to convert your songs to your favorite mp3. For example, Total Audio Converter (http://www.CoolUtils.com) is a brainlessly simple tool that supports almost all audio formats. No matter what source format your track is, Total Audio Converter will easily convert it to the format you need. What is important TAC was developed to be handy and suites any digital music newbie.

Today, 1 in 5 Americans, and about 11 out of 20 American teenagers, own at least one portable audio. More than 1 out of 10 older adults (aged 35-54) own an mp3 player as well. (Interestingly, two-thirds of mp3 player owners are male girls, where are you?) From these stats alone, its easy to see that portable music players are definitely here to stay. And that is GREAT

Alexander Johannes is a professional writer that loves music and eveything connected to that area.

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